Showing posts with label Jennifer Lawrence. Show all posts
Showing posts with label Jennifer Lawrence. Show all posts

Saturday, April 21, 2012

Day 85 -- The Poker House



Released: June 20th, 2008

Starring: Jennifer Lawrence, Selma Blair, Chloe Grace Moretz, Bokeem Woodbine, Sophia Bairley, David Alan Grier
  
Writer/Director: Lori Petty

Description: A dramatization of Lori Petty's teenage years spent in small town Iowa.

[Review may contain spoilers. Please watch movie before reading, unless you don't care. Most of these films have already been released for a while, so they should be readily available.]

***

Before going into the review, let's talk about the idea of a writer/director creating a movie based on their life. Most people would see that as the best way to make it realistic, but in most cases, it becomes an over-dramatization of the situation. The most realistic biopics are when the subject helps out, but is not directly involved in the production. This allows the movie to avoid a woe is me, emotional beatdown that can occur within a true story told by the person the film depicts.

"The Poker House" is a day in the life of Agnes (Lawrence) in 1970s Iowa. Agnes is the on-screen doppelganger of writer/director Lori Petty -- you know, Kit from "League of Their Own." Agnes is the eldest of three children, who all live in a whore house with their drug addict, prostitute mother played wonderfully by Selma Blair. Agnes is the most mature of the clan, and is completely independent from the craziness going on at the Poker House. She is a star basketball player and a budding poet, and appears to be well-like by everyone she knows.

But she falls into the same trap her mother does, and falls for the local pimp, Duval (Woodbine). Agnes truly believes that Duval is in love with her, but her fantasy comes crashing down when he rapes her on the living room floor. Her mother has no sympathy for her and chooses Duval over her daughter when Agnes threatens his life. The strong willed girl puts all of this drama behind her, goes to her basketball game and somehow single-handedly wins the game after arriving in the fourth quarter.

The performances in this movie are so much better than any other part of the production that I felt sorry for the actors. Lawrence, once again, is spectacular. She is a chameleon when the camera is on, and she always finds a way to take the character right to the height of emotion without over-acting the dialogue. All of the great things she does in "Winter's Bone" she does here, but the writing and direction are so subpar that I doubt many people even know about this movie.

Going in I already knew that Lawrence was the lead, and was expecting her typical A+ performance, but I was surprised by the supporting role of Chloe Moretz -- best known as Hit Girl from "Kick Ass". She has maybe five or six scenes in the movie, but she steals them all. The most entertaining scenes in the film involve her and David Alan Grier talking in a bar. Grier plays a local drunk who's tweaking during his day drinking, and Moretz is the youngest sister, who has stayed at the bar because she doesn't want to go home. There is one particular monologue by Moretz about Goldfish crackers that highlights the talent of this future star. She made up for the pitiful acting by Sophia Bairley, who played the middle sister.

If Lori Petty was going for an emotionally draining experience instead of a well-crafted movie then she succeed, but if she was trying to make a good film, she failed miserably. The movie is very choppy in its editing, confusing in its timeline, and anti-climatic in its ending. The drama of the basketball game was so weak that it elicited a yawn from me.

It felt like a collection of scenes rather than a well-threaded plot. Not much happened until the rape scene. I'm all for character building, but it needs to be done well to overshadow a weak conflict. The under the surface conflict of Agnes' relationship with her mother was told mostly through voice overs than actual dialogue between the characters. The lack of build-up makes the confrontation after the rape seem forced.

"The Poker House" has a really good movie somewhere inside of it, but the failure of its writer/director/subject makes the movie a giant mess that is hard to stay interested in. If it wasn't for Lawrence, Moretz and Grier, there wouldn't be anything redeeming about the film. It's the perfect example of the person behind the story getting too involved in the production, and making it all about her rather than what the real story should be. The lack of development of the supporting character is what makes this movie forgettable, and the polar opposite of a movie like, "Winter's Bone".

Rating: 4/10 -- The performances in this movie are the only thing that make it watchable. It is always intriguing to see breakout stars in the films they made before the notoriety. Lawrence and Moretz are always worth the time spent watching them perform.

Sunday, March 25, 2012

Day 70 -- Winter's Bone




Released: June 11th, 2010
   
Starring: Jennifer Lawrence, John Hawkes, Garret Dillahunt, Dale Dickey
 
Writer/Director: Debra Granik and Anne Rosellini/ Debra Granik

Description: An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.

[Review may contain spoilers. Please watch movie before reading, unless you don't care. Most of these films have already been released for a while, so they should be readily available.]

***

Prior to heading off to see "The Hunger Games", I thought I'd educate myself on the acting talents of one, Jennifer Lawrence...I'm sorry, Academy Award nominee, Jennifer Lawrence. This is not meant to be read in a mocking tone, Oscar nominees take many forms: great performance in a bad movie, standout performance in a great movie, and an alright performance in a critical darling.

"Winter's Bone" is behind door number 2. If I didn't look it up, I would have assumed that this film was made by Darren Aronofsky. It was as raw and real as "The Wrestler", and it held back no punches. There was no point in the film where co-writer/director Debra Granik took the easy way out. Some could argue the ending was a cop out, but it would have been depressing if they would have lost the house after everything the protagonist went through. When someone fights like that, there needs to be a reward.

An Ozarks mountain girl named, Ree (Lawrence), searches for her father among the meth community of Southern Missouri. Her dad is a well known "cook" among her family of crank users, dealers and cookers. After being arrested, Ree's father puts his house and land up as collateral. If he doesn't show up for court, they lose the house. This sends Ree on a chase to find her father so that she can save her family. Eventually, she finds out that he is dead because he snitched on his family to the sheriff.

Ree's extended family's heirarchy is shown as the male dominated community that it should be. These mountain communities, whether it's in the Deep South or Coal Mine areas of Appalachia, follow a very strict patriarchal lifestyle. So when Ree starts asking questions she is met with criticism and violence. The realistic portrayal of the physical and mental attack levied on Ree and the other women in the community is what makes this movie great and hard to watch at the same time.

The writers and director do not sugarcoat anything. There is no respect for women among the men, which is exhibited early on when, Teardrop (Hawkes), grabs Ree by the throat when she goes to him for help. And it really stands out when they show the beating given to her when she goes to confront the "head" of the family. Most of the time filmmakers are afraid to tell the truth in their films, especially if it's against a cultural norm, even if it means sanitizing the characters and the tone.

Living the life that Ree does, she needs to be steely and tough, but also she needs to be a believable 17-year-old girl. Lawrence goes above and beyond what is required for this character, and very much deserves her nomination. She has the uncanny ability to express the perfect emotion in a situation with out saying a word; something she continues in "The Hunger Games". It's rare that I see an actress never miss with a choice in a scene, and she does it seamlessly.  I've been in awe during this double feature, especially since the last time I saw her act, it was on "The Bill Engvall Show", and needless to say, that wasn't must see TV.

"Winter's Bone" is a critical favorite in the independent circuit, which usually peaks my interest, but few deliver on the acclaim like this movie. There is not one major misstep in the whole production, and the tone is perfect. When a film can make the world feel real, and not being filmed in front of dozens of people, it earns the ultimate respect from me: DVD purchase.

In today's world of instant viewings through either Netflix or On-Demand, spending money on physical media is scare, but in recent years I've made it a point to only buy movies if they deserved it. Soon this film will join my last three purchases -- "Inglorious Bastards", "Scott Pilgrim vs. the World" and "Inception" -- in the category of films I must own on a disc.

Rating: 9/10 -- Best movie so far in the project. Performances are top-notch and the direction  is crazy good. Lawrence has officially become one of my top 5 favorite (not hottest or best) current actresses, joining Emma Stone, Helen Mirren, Brittany Robertson and Chloe Moretz. She's going to be huge.